黎明的剧情简介
György Fehér是匈牙利电影长镜头学派的另一位大师级导演,与杨索属同代人,可惜他的作品很少而且极难看到。。。
If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.
黎明的短评
慢慢的长镜头,长长的慢镜头 —— 峰峰峰峰
https://rarefilmm.com/2017/12/szurkulet-1990/ —— Valuska
[C]+ 超慢节奏,镜头运动和构图大概和塔尔互相影响很深(此片在《诅咒》之后,《撒旦探戈》之前)。用超慢的长镜对侦探小说原著进行风格化的影像改编,跟《来自伦敦的男人》一个性质,极其缓慢的镜头与语速在悬疑故事中肯定可以造成更强的压抑感危机感,也并没有觉得过于冗长,比起塔尔其实相对精干。但除了影像风格类似以外,哲学思考社会批判配乐声音设计也包括镜头在内的众多方面自然是跟塔尔差的很远,影像其实没有后来塔... —— Adelaida
很慢的一部片 画质真是 不过能看就很好了 —— Diva Tequila
如果你小时候不小心接触到某几个长镜头片子的时候,后来再看到,那么 —— 气