总路线 Старое и новое

总路线 Старое и новое磁力下载

总路线的剧情简介

  Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

总路线的短评

  • 合作社诗意,看到掉眼泪……不过音乐实在太厉害了,单听小提琴曲已经是享受;刚开始荒凉的山野,破败的房子,配上漫天的云和那个小提琴曲,极度的美和极度的苦全都混在画面和音乐里。逆转大小形式的蒙太奇(反映—影像)特别美,脱脂机,官僚办公室,割草(太他妈的美了,甚至超过马西斯与鸟),行动或者情境在自身当中无限延伸,配上小提琴曲……而且宗教仪式和那个蜡烛的蒙太奇,完完全全的气态感知,真实至上的长镜头主义是绝对... —— NVHZ

  • 农村合作社的宣传片,当中还夹杂了对愚昧和官僚主义的批判。做梦一段类似“电影眼”的纪录片并出现了现代主义建筑。对土地和风俗的描述免不了让蒙太奇有了些原始的诗意。 —— 怪盗巴金斯

  • 我从来都是共产主义者,也从来都是女权主义者,二者必须挂钩,that's the way boundaries vanished —— 灰狼

  • 不要讨论公有制和私有制的对比性,其实就是个人利益尽量做到最大化,才能得到拥护。反之就会迷失在制度之中,评判一种制度的好坏最终的标准还是个人所得。 —— 尘世流年

  • 9/10,大量的蒙太奇實驗,象徵、對比、隱喻都用上,CU的運用都發揮極致,大量極端角度(仰視、傾斜)。對於農村與城市、人力與機器等的對比展示,將仰視向天空的構圖,配合農民的艱辛工作,而利用蒙太奇表達機器的急速及力量,例如多角度拍攝攪拌機。亦因大量蒙太奇而導致沒有明確故事,像一堆情節堆砌 —— Kenny